The Luis Fernando Benedit Archive represents the artist’s activities across a range of media, from figurative painting to habitats for live animals. His notebooks, plans, and sketches also show an abiding concern with problems of process and transformation. When viewed in conjunction, these documents and works provide an opportunity to reexamine some of his contributions to debates concerning the relations between culture, nature, and technology.

ISLAA Writer in Residence Joseph Shaikewitz examines the paradoxes concerning perception and representation, subjectivity and objectification, at play in the 1982 Venezuelan documentary film Trans.

Claudia Grego March analyzes Argentine artists' strategic transformation of European Informalism by focusing on the writings of art critics Rafael Squirru and Jorge Romero Brest.

Art historian Agustín Díez Fischer examines bodily extension and mediated reconstruction in a choreographic work by Argentine conceptual artist Leopoldo Maler.

ISLAA Writer in Residence Patricia Roig Canepa incorporates literature from the 1960s and 1970s in her analysis of the "El Dibujazo" collection of drawings, which defined a brief but influential period in Uruguayan visual art.

2022–23 Graphic Designer in Residence Ramon Tejada muses on the multiplicity of perspectives on Latin American graphic design represented within the ISLAA Library and Archives.

Directed by Erina Duganne, Muriel Hasbun: to tell your story in pieces, as it is, 2022–23, traces the memories of Salvadoran artist Muriel Hasbun through her photographic work.