The Luis Fernando Benedit Archive represents the artist’s activities across a range of media, from figurative painting to habitats for live animals. His notebooks, plans, and sketches also show an abiding concern with problems of process and transformation. When viewed in conjunction, these documents and works provide an opportunity to reexamine some of his contributions to debates concerning the relations between culture, nature, and technology.

ISLAA Scholar in Residence, Gabriel Peluffo Linari, reflects on the development of informalist painting in Uruguay.

Writer and curator Mariana Fernández investigates the printmaking practice of the late Argentine artist Juan Carlos Romero, whose typographic posters iterated and expanded simple messages to the limits of their meaning.

Art historian Agustín Díez Fischer examines bodily extension and mediated reconstruction in a choreographic work by Argentine conceptual artist Leopoldo Maler.

ISLAA Writer in Residence Benjamin Murphy analyzes the CAYC’s own institutional self-fashioning through its films productions, and reflects on the methodological and archival politics of studying these films today.

ISLAA Writer in Residence Francesca Ferrari explores Nikolai Kasak's affiliation with the Madí movement through an analysis of the Kasak-Madí archive, a collection of papers, correspondence, and photographs compiled by the Estate of Nikolai Kasak currently housed at ISLAA.

Guatemalan poet Wingston González (b. 1968) explores images of clothing, the sea and, above all, knots in the art and poetry of Peruvian artist Jorge Eielson.