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A Universal Language and an Unrealized European Tour: Grupo de Artistas Modernos de la Argentina
Desire, Mystery, Devotion: On Mariette Lydis’s Trajectory
Neofiguración and Dibujazo: Uruguayan Painting and Graphic Arts, 1960–80
"Trans" (1982): Queering the Temporality of the Archive
In Focus: 270 Series
270.12—Luis Camnitzer: Arte, estado y no he estado
270.01—Liliana Porter and Man with Axe: Fragments of a Conversation with Julio Grinblatt
270.04— Marcia Schvartz: Ojo
270.11—Rolando Peña: Sembrando el Petróleo
In Focus: 270 Series
270.12—Luis Camnitzer: Arte, estado y no he estado
270.01—Liliana Porter and Man with Axe: Fragments of a Conversation with Julio Grinblatt
270.04— Marcia Schvartz: Ojo
270.11—Rolando Peña: Sembrando el Petróleo

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Poetics of the Body and Language in CAYC’s Audiovisual Archives

Sociotechnical Impetus: CAYC’s Audiovisual Assemblages

Temporality and Technics in Margarita Paksa's Tiempo de descuento

Transparency and Feminist Revision in Anna Bella Geiger’s Artist’s Books

A Creative Form of Expansion: Non-Objectualism and Anna Bella Geiger’s Artist’s Notebooks (1974–77)

Two Women at the Japan Video Art Festival at CAYC, 1978

A Universal Language and an Unrealized European Tour: Grupo de Artistas Modernos de la Argentina

Neofiguración and Dibujazo: Uruguayan Painting and Graphic Arts, 1960–80

Desire, Mystery, Devotion: On Mariette Lydis’s Trajectory

Montevideo’s Grupo 8 (1959–62): The Ephemeral Avant-Garde

Informalist Painting in Uruguay: Its Origins and Processes (1957–65)

"Garments", "Knots" and "High Tide": Three Poems in Response to Jorge Eielson

Toward a Poetics of Multiplicity: On Juan Carlos Romero’s Experiments in Repetition

A Dance of Bodies and Machines: Leopoldo Maler’s Crane Ballet

An “Intermedia Revolution”: Audiovisual Experimentation at the Centro de Arte y Comunicación

Time in Motion: An Approach to Gustavo Bruzzone’s More Than Four Hundred Hours of Filming Toward the End of the Century

El Dibujazo: Drawing as Resistance in 1970s Uruguay

In Plane Sight

“El Dibujazo”: Approaching an Atmosphere

Desire, Deferral, and the Failings of Filmic Representation—"Trans" (1982)

"Trans" (1982): Queering the Temporality of the Archive

“Our School”: Testimonies from the Kasak-Madí Archive

Do Whatever You Want: Edgardo Giménez in Dialogue with Gonzalo Guerrero

Artes Visuales: A Latin American Debate

Living Cultural Landscapes

Rayando el Archivo: Mónica Mayer’s "El Tendedero"

Cal: An Analysis of the Journal’s Plastic Arts Section

Notes on Latin American Graphic Design, Artes Gráficas, Typography, and Printed Matter from the ISLAA Library and Archives

Informalism’s Last Curveball: Informal Painting and Its Exegesis between Argentina and Europe

Same Sea (Rose Horse)

People Are the Only Thing that Matters: Alberto Greco and the Traveling Cultural Exhibitions

Between the Earth and the Divine

Pedro Figari: Art Industrial Education in Uruguay (1900–20)

Load-Bearing Subjects: On Grupo Escombros’s "Teoría del arte"

A short conversation about André Cadere

Conversations with Magali Lara’s Interiors

From East 78th Street to Segovia: A Morning with César Paternosto, August 2021

Reading the Register

María Freire: Her Work in the Context of Abstract-Geometric Art from Río de la Plata and Brazil with European References (1950–1980)

This Is Not a Map: Extraction and Supplement in Sol LeWitt and Claudio Perna

The Contemplation of Writing

Matters of Process and Techniques of Control: The Luis Fernando Benedit Papers, 1960–1978

The Institute for Studies on Latin American Art (ISLAA) supports the study and visibility of Latin American art.

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© 2025 Institute for Studies on Latin American Art
The Institute for Studies on Latin American Art (ISLAA) supports the study and visibility of Latin American art.

Tue–Sat: 12–6 PM Sun–Mon: Closed
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