Presented in partnership with Columbia University.

Presented in partnership with the Center for Latin American Visual Studies (CLAVIS), University of Texas at Austin.

Presented in partnership with Columbia University.

Presented in partnership with Columbia University.

Presented in partnership with Columbia University.

Presented in partnership with Columbia University.

Presented in partnership with Columbia University.

Presented in partnership with Columbia University.

This panel discussion on the Argentine conceptualist and performance artist and cultural icon Marta Minujín and her new book MINUCODEs.

Moderated by Edward Sullivan, Helen Gould Sheppard Professor in the History of Art; Institute of Fine Arts and College of Arts and Sciences

The increasing globalization of Latin American art history and literary studies has altered the topography of these disciplines in ways that are widely acknowledged but not yet clearly defined.

Realisms: Politics, Art, and Visual Culture in The Americas considered the aesthetic and ethical dimensions of “realism” in the Americas.

This three-fold collaboration with John Jay College of Criminal Justice, CUNY included the support of the exhibition BASTA! An Exhibition about Art and Violence in Latin America (May 5–July 15, 2016).

This three-fold collaboration with John Jay College of Criminal Justice, CUNY included the support of the exhibition BASTA! An Exhibition about Art and Violence in Latin America (May 5–July 15, 2016).

This three-fold collaboration with John Jay College of Criminal Justice, CUNY included the support of the exhibition BASTA! An Exhibition about Art and Violence in Latin America (May 5–July 15, 2016).

This panel celebrated the remarkable career of Cuban-born, New York–based artist Camera Herrera and the thirty-year survey of her work, Carmen Herrera: Lines of Sight, on view at the Whitney Museum of American Art in 2016–2017.

This panel discussion with the Americas Society explored Kati Horna’s photographic practice and the work of other female photographers from the perspective of mobility and exile.

Panelists examined Leandro Elrich’s large-scale installation Port of Reflections and themes of the uncanny and trompe l’oeil.

South and About! is a student-organized research workshop on the arts from Latin America and the Caribbean, supported by ISLAA.

This event is part of the Latin American Forum and is generously sponsored by the Institute for Studies on Latin American Art.

Artist, poet, activist and philosopher, Cecilia Vicuña (a long-time resident of New York born in Chile) has been noted for many decades for her work in a wide variety of media and venues.

South and About! is a student-organized research workshop on the arts from Latin America and the Caribbean, supported by ISLAA.

Ride or Die: Miguel Luciano in conversation with Elizabeth Ferrer.

South and About! is a student-organized research workshop on the arts from Latin America and the Caribbean, supported by ISLAA.

Game Changers: Women Artists in 1970s Mexico. A Conversation with Magali Lara and Mónica Mayer moderated by Carla Stellweg.

Julio Le Parc 1959

Julio Le Parc 1959

Julio Le Parc 1959

Exhibition mapping the influences and movements that inspired the two artists' practices from the 1960s to the 1980s.

ISLAA is proud to be among the supporters of the exhibition "Pop América, 1965–1975" at the Nasher Museum.

Exhibition mapping the influences and movements that inspired the two artists' practices from the 1960s to the 1980s.

ISLAA is proud to be among the supporters of the exhibition "Pop América, 1965–1975" at the Nasher Museum.

Exhibition mapping the influences and movements that inspired the two artists' practices from the 1960s to the 1980s.

ISLAA is proud to be among the supporters of the exhibition "Pop América, 1965–1975" at the Nasher Museum.

Exhibition mapping the influences and movements that inspired the two artists' practices from the 1960s to the 1980s.

ISLAA is proud to be among the supporters of the exhibition "Pop América, 1965–1975" at the Nasher Museum.

ISLAA is proud to be among the supporters of the exhibition "Pop América, 1965–1975" at the Nasher Museum.

ISLAA is proud to be among the supporters of the exhibition "Pop América, 1965–1975" at the Nasher Museum.

Curated by Aimé Iglesias Lukin, Ulises Carrión: The Big Monster presented a selection of mail art projects that Ulises Carrión developed between 1973 and 1983, erasing the boundaries between artwork, archive, and document.

Curated by Aimé Iglesias Lukin, Ulises Carrión: The Big Monster presented a selection of mail art projects that Ulises Carrión developed between 1973 and 1983, erasing the boundaries between artwork, archive, and document.

Curated by Aimé Iglesias Lukin, Ulises Carrión: The Big Monster presented a selection of mail art projects that Ulises Carrión developed between 1973 and 1983, erasing the boundaries between artwork, archive, and document.

Curated by Aimé Iglesias Lukin, Ulises Carrión: The Big Monster presented a selection of mail art projects that Ulises Carrión developed between 1973 and 1983, erasing the boundaries between artwork, archive, and document.

The first comprehensive solo exhibition to explore the artist’s evolving practice of geometric abstraction during her first decade living and working in New York City.

Curated by Aimé Iglesias Lukin, Ulises Carrión: The Big Monster presented a selection of mail art projects that Ulises Carrión developed between 1973 and 1983, erasing the boundaries between artwork, archive, and document.

The first comprehensive solo exhibition to explore the artist’s evolving practice of geometric abstraction during her first decade living and working in New York City.

Organized on the occasion of the exhibition Ulises Carrión: The Big Monster at ISLAA, this panel brought together Zanna Gilbert, Mónica de la Torre, and Felipe Becerra to discuss Ulises Carrión's work and legacy.

The first comprehensive solo exhibition to explore the artist’s evolving practice of geometric abstraction during her first decade living and working in New York City.

The first comprehensive solo exhibition to explore the artist’s evolving practice of geometric abstraction during her first decade living and working in New York City.

The Counter-Public Sphere in the Condor Years, curated by Nicolás Guagnini, assembled key works of South American contestatory public art by CADA (Colectivo Acciones de Arte), Antonio Dias, Lotty Rosenfeld, and Horacio Zabala, created between 1968 and 1979.

Ulises Carrión: Post/Master, curated by María Paula Varela, PhD Candidate in art history, was Ulises Carrión’s first public exhibition in the United States.

The Counter-Public Sphere in the Condor Years, curated by Nicolás Guagnini, assembled key works of South American contestatory public art by CADA (Colectivo Acciones de Arte), Antonio Dias, Lotty Rosenfeld, and Horacio Zabala, created between 1968 and 1979.

Ulises Carrión: Post/Master, curated by María Paula Varela, PhD Candidate in art history, was Ulises Carrión’s first public exhibition in the United States.

South and About! is a student-organized research workshop on the arts from Latin America and the Caribbean, supported by ISLAA.

The Counter-Public Sphere in the Condor Years, curated by Nicolás Guagnini, assembled key works of South American contestatory public art by CADA (Colectivo Acciones de Arte), Antonio Dias, Lotty Rosenfeld, and Horacio Zabala, created between 1968 and 1979.

Ulises Carrión: Post/Master, curated by María Paula Varela, PhD Candidate in art history, was Ulises Carrión’s first public exhibition in the United States.

The Counter-Public Sphere in the Condor Years, curated by Nicolás Guagnini, assembled key works of South American contestatory public art by CADA (Colectivo Acciones de Arte), Antonio Dias, Lotty Rosenfeld, and Horacio Zabala, created between 1968 and 1979.

For this event, Argentine artist and architect Horacio Zabala joined art historian Iria Candela to discuss his conceptual work of the 1970s.

Curated by Luis Camnitzer, this exhibition brought together more than three hundred contributions to the international mail art project Poema Colectivo Revolución (1981–83), organized by the Mexican artist group Colectivo 3.

Curated by Luis Camnitzer, this exhibition brought together more than three hundred contributions to the international mail art project Poema Colectivo Revolución (1981–83), organized by the Mexican artist group Colectivo 3.

Panel conversation accompanied Fanny Sanín’s New York: The Critical Decade, 1971–1981, an exhibition curated by Edward Chang, Megan Kincaid, and Anastassia Perfilieva as part of the Duke House Exhibition Series at The Institute of Fine Arts, NYU.

Curated by Luis Camnitzer, this exhibition brought together more than three hundred contributions to the international mail art project Poema Colectivo Revolución (1981–83), organized by the Mexican artist group Colectivo 3.

ISLAA congratulates Karen Grimson on the inclusion of her essay, made possible by an ISLAA Travel Grant.

Curated by Luis Camnitzer, this exhibition brought together more than three hundred contributions to the international mail art project Poema Colectivo Revolución (1981–83), organized by the Mexican artist group Colectivo 3.

ISLAA congratulates Karen Grimson on the inclusion of her essay, made possible by an ISLAA Travel Grant.

The Fifth Annual Symposium of Latin American Art explored the history of cultural and artistic practices that engage with multiple senses in the Americas.

Hosted by the Department of Art History & Archaeology and the Institute of Latin American Studies at Columbia University, this series of panels places the frameworks by which we produce historical knowledge at its center.

Curated by Luis Camnitzer, this exhibition brought together more than three hundred contributions to the international mail art project Poema Colectivo Revolución (1981–83), organized by the Mexican artist group Colectivo 3.

Hosted by the Department of Art History & Archaeology and the Institute of Latin American Studies at Columbia University, this series of panels places the frameworks by which we produce historical knowledge at its center.

Felipe Ehrenberg: Testamento displayed, for the first time, the thirty-four collages in Felipe Ehrenberg's Testamento (1968–2017), a retrospective assemblage of documents, photographs, writings, and drawings compiled at the end of the artist’s decades-long career.

Felipe Ehrenberg: Testamento displayed, for the first time, the thirty-four collages in Felipe Ehrenberg's Testamento (1968–2017), a retrospective assemblage of documents, photographs, writings, and drawings compiled at the end of the artist’s decades-long career.

Felipe Ehrenberg: Testamento displayed, for the first time, the thirty-four collages in Felipe Ehrenberg's Testamento (1968–2017), a retrospective assemblage of documents, photographs, writings, and drawings compiled at the end of the artist’s decades-long career.

Felipe Ehrenberg: Testamento displayed, for the first time, the thirty-four collages in Felipe Ehrenberg's Testamento (1968–2017), a retrospective assemblage of documents, photographs, writings, and drawings compiled at the end of the artist’s decades-long career.

Bernardo Mosqueira is named the inaugural ISLAA Curatorial Fellow in partnership with the New Museum of Contemporary Art.

“From Surface to Space”: Max Bill and Concrete Sculpture in Buenos Aires, curated by Francesca Ferrari, explored concurrent experiments in Concrete sculpture amid the formative, transnational creative dialogue between the Swiss artist Max Bill and the Argentine avant-garde from 1946 to 1955.

“From Surface to Space”: Max Bill and Concrete Sculpture in Buenos Aires, curated by Francesca Ferrari, explored concurrent experiments in Concrete sculpture amid the formative, transnational creative dialogue between the Swiss artist Max Bill and the Argentine avant-garde from 1946 to 1955.

The forthcoming oral history book, and its related exhibition, present urgent revisions to existing narratives of New York's art scene in the 1960s–70s.

South and About! is a student-organized research workshop on the arts from Latin America and the Caribbean, supported by ISLAA.

“From Surface to Space”: Max Bill and Concrete Sculpture in Buenos Aires, curated by Francesca Ferrari, explored concurrent experiments in Concrete sculpture amid the formative, transnational creative dialogue between the Swiss artist Max Bill and the Argentine avant-garde from 1946 to 1955.

The forthcoming oral history book, and its related exhibition, present urgent revisions to existing narratives of New York's art scene in the 1960s–70s.

South and About! is a student-organized research workshop on the arts from Latin America and the Caribbean, supported by ISLAA.

“Curandera: The Artist as Healer and Curator”, keynote address by María Magdalena Campos-Pons moderated by Tatiana Flores, ASAP President. Proudly supported by ISLAA.

The forthcoming oral history book, and its related exhibition, present urgent revisions to existing narratives of New York's art scene in the 1960s–70s.

ISLAA is delighted to congratulate Hunter College on its exhibition and related publication,Life as Activity: David Lamelas. These projects developed from a graduate seminar in Hunter College’s Advanced Certificate in Curatorial Studies supported by ISLAA through our Artist Seminar Initiative, an education and curatorial program that fosters intimate exchanges between students and living Latin American and Latinx artists.

Curated by Megan Kincaid, José Antonio Fernández-Muro: Geometry in Transfer presents nine transfer paintings by José Antonio Fernández-Muro from the late 1950s and early 1960s, produced in Buenos Aires and New York.

The forthcoming oral history book, and its related exhibition, present urgent revisions to existing narratives of New York's art scene in the 1960s–70s.

ISLAA is delighted to congratulate Hunter College on its exhibition and related publication,Life as Activity: David Lamelas. These projects developed from a graduate seminar in Hunter College’s Advanced Certificate in Curatorial Studies supported by ISLAA through our Artist Seminar Initiative, an education and curatorial program that fosters intimate exchanges between students and living Latin American and Latinx artists.

Curated by Megan Kincaid, José Antonio Fernández-Muro: Geometry in Transfer presents nine transfer paintings by José Antonio Fernández-Muro from the late 1950s and early 1960s, produced in Buenos Aires and New York.

ISLAA is delighted to congratulate Bard College on its exhibitionÑande Rógawhich results from a graduate seminar at the Center for Curatorial Studies supported by ISLAA through our inaugural Research Seminar Initiative, a program centered on artists or movements whose archives are among the special collections at ISLAA.

ISLAA is delighted to co-organize, with the Americas Society, a conference to be held in connection with the two-part exhibitionThis Must Be the Place: Latin American Artists in New York, 1965–1975, currently on view at Americas Society.

The forthcoming oral history book, and its related exhibition, present urgent revisions to existing narratives of New York's art scene in the 1960s–70s.

Curated by Megan Kincaid, José Antonio Fernández-Muro: Geometry in Transfer presents nine transfer paintings by José Antonio Fernández-Muro from the late 1950s and early 1960s, produced in Buenos Aires and New York.

Call For Papers deadline extended to January 14, 2022 for the Sixth Annual Symposium of Latin American Art “Movement and Presence: The Visual Culture of the Americas.”

The forthcoming oral history book, and its related exhibition, present urgent revisions to existing narratives of New York's art scene in the 1960s–70s.

Curated by Megan Kincaid, José Antonio Fernández-Muro: Geometry in Transfer presents nine transfer paintings by José Antonio Fernández-Muro from the late 1950s and early 1960s, produced in Buenos Aires and New York.

South and About! is a student-organized research workshop on the arts from Latin America and the Caribbean, supported by ISLAA.

Applications for the dissertation workshop are due February 20, 2022

Applications for the dissertation workshop are due February 20, 2022

The first dual exhibition in the United States on the informalist paintings of Kenneth Kemble and Silvia Torras

A roundtable event in celebration of Kenneth Kemble and Silvia Torras: The Formative Years, 1956–63

The forthcoming oral history book, and its related exhibition, present urgent revisions to existing narratives of New York's art scene in the 1960s–70s.

The first dual exhibition in the United States on the informalist paintings of Kenneth Kemble and Silvia Torras

Three grantees will be chosen by a selection committee to further the study of Latin American, Caribbean, and Latinx art and visual culture.

Curated by Michaëla de Lacaze Mohrmann, this exhibition examines the early work of trailblazing Argentine artist Marta Minujín (b. 1943), tracing her trajectory from informalist painting and sculpture to performance.

This panel turns to artists, based in both the U.S. and Guatemala, to consider aesthetic strategies that work to dismantle imperialist histories and build decolonial alliances across time and space.

ISLAA is delighted to co-organize a two-day conference held in connection with the exhibition This Must Be the Place: Latin American Artists in New York, 1965–1975, currently on view at Americas Society.

South and About! is a student-organized research workshop on the arts from Latin America and the Caribbean, supported by ISLAA.

The Sixth Annual Symposium of Latin American Art will explore how the idealized landscape, geospatial entity, and sociocultural construct of "Latin America" has been shaped and mythologized by, through, and against movement.

The forthcoming oral history book, and its related exhibition, present urgent revisions to existing narratives of New York's art scene in the 1960s–70s.

The first dual exhibition in the United States on the informalist paintings of Kenneth Kemble and Silvia Torras

Three grantees will be chosen by a selection committee to further the study of Latin American, Caribbean, and Latinx art and visual culture.

Curated by Michaëla de Lacaze Mohrmann, this exhibition examines the early work of trailblazing Argentine artist Marta Minujín (b. 1943), tracing her trajectory from informalist painting and sculpture to performance.

The Sixth Annual Symposium of Latin American Art will explore how the idealized landscape, geospatial entity, and sociocultural construct of "Latin America" has been shaped and mythologized by, through, and against movement.

Pepe Karmel, Megan Sullivan, and Ana Maria Franco will convene for a lively discussion facilitated by the curators of Kenneth Kemble and Silvia Torras: The Formative Years 1956–63.

This panel discussion brings together artists, activists, and scholars on the past, present and future of solidarity, activism, and community through Latinx networks in Boston and the surrounding area.

The forthcoming oral history book, and its related exhibition, present urgent revisions to existing narratives of New York's art scene in the 1960s–70s.

The first dual exhibition in the United States on the informalist paintings of Kenneth Kemble and Silvia Torras

Curated by Michaëla de Lacaze Mohrmann, this exhibition examines the early work of trailblazing Argentine artist Marta Minujín (b. 1943), tracing her trajectory from informalist painting and sculpture to performance.

In-person and livestream event celebrating the launch of a book on Latin American artists in New York from 1965 to 1975

ISLAA has acquired a portion of Felipe Ehrenberg archive from the artist's estate, a momentous addition to our library and archive.

Join us for a public in-person reception to celebrate ISLAA's current exhibition on May 17, featuring special guest Marta Minujín.

Curated by Michaëla de Lacaze Mohrmann, this exhibition examines the early work of trailblazing Argentine artist Marta Minujín (b. 1943), tracing her trajectory from informalist painting and sculpture to performance.

Featuring works by Artur Barrio, Oscar Bony, Carmelo Carrá, Feliciano Centurión, David Lamelas, Carlos Motta, Wynnie Mynerva, La Chola Poblete, Tadáskía, and Castiel Vitorino Brasileiro, Eros Rising: Visions of the Erotic in Latin American Art explores how artists have sought to give form to the intangible experience of eroticism.

Please join us for a public, in-person reception to celebrate the opening ofEros Rising: Visions of the Erotic in Latin American Artfrom 5 to 8 PM on June 16.

Featuring works by Artur Barrio, Oscar Bony, Carmelo Carrá, Feliciano Centurión, David Lamelas, Carlos Motta, Wynnie Mynerva, La Chola Poblete, Tadáskía, and Castiel Vitorino Brasileiro, Eros Rising: Visions of the Erotic in Latin American Art explores how artists have sought to give form to the intangible experience of eroticism.

Featuring works by Artur Barrio, Oscar Bony, Carmelo Carrá, Feliciano Centurión, David Lamelas, Carlos Motta, Wynnie Mynerva, La Chola Poblete, Tadáskía, and Castiel Vitorino Brasileiro, Eros Rising: Visions of the Erotic in Latin American Art explores how artists have sought to give form to the intangible experience of eroticism.

Featuring works by Artur Barrio, Oscar Bony, Carmelo Carrá, Feliciano Centurión, David Lamelas, Carlos Motta, Wynnie Mynerva, La Chola Poblete, Tadáskía, and Castiel Vitorino Brasileiro, Eros Rising: Visions of the Erotic in Latin American Art explores how artists have sought to give form to the intangible experience of eroticism.

A live performance by Naomi Rincón Gallardo to accompany the exhibition of her film The Formaldehyde Trip (2017).

Hosted by the Department of Art History and Archaeology at Columbia University, this conference explores the entanglements between artistic expression and the movement of people, ideas, and capital across the globe in the twentieth and early twenty-first centuries

ISLAA is delighted to congratulate the University of Florida on its exhibition and related public programming, Painting Situations: Sigfredo Chacón and Liliana Porter. These projects developed from a graduate seminar at the University of Florida supported by ISLAA through our Artist Seminar Initiative, an education and curatorial program that fosters intimate exchanges between students and living Latin American and Latinx artists.

This exhibition will explore the role of mapping in the work of Conceptual artists Anna Bella Geiger, Magali Lara, Lea Lublin, and Margarita Paksa.

Inés Blumencweig's first solo exhibition since 1980 presents eleven major works produced between 1961 and 1978.

Join us for the opening ofPolitical/Subjective Maps: Anna Bella Geiger, Magali Lara, Lea Lublin, and Margarita Paksaat ISLAA on October 13.

ISLAA is pleased to participate in Printed Matter's 2022 New York Art Book Fair.

ISLAA is delighted to congratulate the University of Florida on its exhibition and related public programming, Painting Situations: Sigfredo Chacón and Liliana Porter. These projects developed from a graduate seminar at the University of Florida supported by ISLAA through our Artist Seminar Initiative, an education and curatorial program that fosters intimate exchanges between students and living Latin American and Latinx artists.

This exhibition will explore the role of mapping in the work of Conceptual artists Anna Bella Geiger, Magali Lara, Lea Lublin, and Margarita Paksa.

Inés Blumencweig's first solo exhibition since 1980 presents eleven major works produced between 1961 and 1978.

ISLAA is delighted to congratulate the University of Florida on its exhibition and related public programming, Painting Situations: Sigfredo Chacón and Liliana Porter. These projects developed from a graduate seminar at the University of Florida supported by ISLAA through our Artist Seminar Initiative, an education and curatorial program that fosters intimate exchanges between students and living Latin American and Latinx artists.

This exhibition will explore the role of mapping in the work of Conceptual artists Anna Bella Geiger, Magali Lara, Lea Lublin, and Margarita Paksa.

Inés Blumencweig's first solo exhibition since 1980 presents eleven major works produced between 1961 and 1978.

Call for Papers deadline January 9, 2023

ISLAA is delighted to congratulate the University of Florida on its exhibition and related public programming, Painting Situations: Sigfredo Chacón and Liliana Porter. These projects developed from a graduate seminar at the University of Florida supported by ISLAA through our Artist Seminar Initiative, an education and curatorial program that fosters intimate exchanges between students and living Latin American and Latinx artists.

This exhibition will explore the role of mapping in the work of Conceptual artists Anna Bella Geiger, Magali Lara, Lea Lublin, and Margarita Paksa.

Inés Blumencweig's first solo exhibition since 1980 presents eleven major works produced between 1961 and 1978.

Join us for the opening ofÑande Róga: The Feliciano Centurión Archival Collectionat ISLAA on March 16.

ISLAA is delighted to congratulate the University of Florida on its exhibition and related public programming, Painting Situations: Sigfredo Chacón and Liliana Porter. These projects developed from a graduate seminar at the University of Florida supported by ISLAA through our Artist Seminar Initiative, an education and curatorial program that fosters intimate exchanges between students and living Latin American and Latinx artists.

This exhibition will explore the role of mapping in the work of Conceptual artists Anna Bella Geiger, Magali Lara, Lea Lublin, and Margarita Paksa.

The third solo exhibition in the United States of Paraguayan artist Feliciano Centurión is part of the Duke House Exhibition Series at the Institute of Fine Arts, NYU

South and About! is a student-organized research workshop on the arts from Latin America and the Caribbean, supported by ISLAA.

ISLAA is delighted to congratulate the University of Florida on its exhibition and related public programming, Painting Situations: Sigfredo Chacón and Liliana Porter. These projects developed from a graduate seminar at the University of Florida supported by ISLAA through our Artist Seminar Initiative, an education and curatorial program that fosters intimate exchanges between students and living Latin American and Latinx artists.

This exhibition will explore the role of mapping in the work of Conceptual artists Anna Bella Geiger, Magali Lara, Lea Lublin, and Margarita Paksa.

The third solo exhibition in the United States of Paraguayan artist Feliciano Centurión is part of the Duke House Exhibition Series at the Institute of Fine Arts, NYU

The grantees were chosen by a selection committee to further the study of Latin American, Caribbean, and Latinx art and visual culture.

ISLAA is delighted to support the ISLAA-ALAA Keynote at the 2023 ALAA Triennial

Bringing together drawings, textiles, and sculptural objects with archival materials, this exhibition will explore the work, community, and context of Paraguayan artist Feliciano Centurión (1962–1996).

The Seventh Annual Symposium of Latin American Art will consider how marking practices interact with place and space-making strategies broadly construed—maps, cartographic renditions of place, earth and land art, urban planning, architecture and landscape, and more.

ISLAA is delighted to congratulate the University of Florida on its exhibition and related public programming, Painting Situations: Sigfredo Chacón and Liliana Porter. These projects developed from a graduate seminar at the University of Florida supported by ISLAA through our Artist Seminar Initiative, an education and curatorial program that fosters intimate exchanges between students and living Latin American and Latinx artists.

The third solo exhibition in the United States of Paraguayan artist Feliciano Centurión is part of the Duke House Exhibition Series at the Institute of Fine Arts, NYU

Bringing together drawings, textiles, and sculptural objects with archival materials, this exhibition will explore the work, community, and context of Paraguayan artist Feliciano Centurión (1962–1996).

Curators and ISLAA staff will lead tours of the exhibition Ñande Róga: The Feliciano Centurión Archival Collection on April 14, April 21, and May 5. These tours are free and open to the public.

ISLAA is delighted to congratulate the University of Florida on its exhibition and related public programming, Painting Situations: Sigfredo Chacón and Liliana Porter. These projects developed from a graduate seminar at the University of Florida supported by ISLAA through our Artist Seminar Initiative, an education and curatorial program that fosters intimate exchanges between students and living Latin American and Latinx artists.

The third solo exhibition in the United States of Paraguayan artist Feliciano Centurión is part of the Duke House Exhibition Series at the Institute of Fine Arts, NYU

Bringing together drawings, textiles, and sculptural objects with archival materials, this exhibition will explore the work, community, and context of Paraguayan artist Feliciano Centurión (1962–1996).

Curators and ISLAA staff will lead tours of the exhibition Ñande Róga: The Feliciano Centurión Archival Collection on April 14, April 21, and May 5. These tours are free and open to the public.

ISLAA will relocate to 142 Franklin Street in fall 2023

Organized in conjunction with Ñande Róga: The Feliciano Centurión Archival Collection at ISLAA, this panel will examine the cultural traditions, social contexts, and artist networks that inspired Centurión’s work.

ISLAA is delighted to congratulate the University of Florida on its exhibition and related public programming, Painting Situations: Sigfredo Chacón and Liliana Porter. These projects developed from a graduate seminar at the University of Florida supported by ISLAA through our Artist Seminar Initiative, an education and curatorial program that fosters intimate exchanges between students and living Latin American and Latinx artists.

Bringing together drawings, textiles, and sculptural objects with archival materials, this exhibition will explore the work, community, and context of Paraguayan artist Feliciano Centurión (1962–1996).

The ICAA and ISLAA announce the launch of the CAYC Files: the first digital platform for the comprehensive study of the Centro de Arte y Comunicación (CAYC).

Open Call for Summer 2023 Writer in Residence at ISLAA

ISLAA's on-site reading room will reopen in the fall

Bernardo Mosqueira will join ISLAA as the inaugural chief curator

ISLAA is delighted to congratulate the University of Florida on its exhibition and related public programming, Painting Situations: Sigfredo Chacón and Liliana Porter. These projects developed from a graduate seminar at the University of Florida supported by ISLAA through our Artist Seminar Initiative, an education and curatorial program that fosters intimate exchanges between students and living Latin American and Latinx artists.

ISLAA is delighted to congratulate the University of Florida on its exhibition and related public programming, Painting Situations: Sigfredo Chacón and Liliana Porter. These projects developed from a graduate seminar at the University of Florida supported by ISLAA through our Artist Seminar Initiative, an education and curatorial program that fosters intimate exchanges between students and living Latin American and Latinx artists.

Grantees announced! The grantees were chosen by a selection committee to further the study of Latin American, Caribbean, and Latinx art and visual culture.

Explore intimate portraits of contemporary artists

ISLAA is delighted to congratulate the University of Florida on its exhibition and related public programming, Painting Situations: Sigfredo Chacón and Liliana Porter. These projects developed from a graduate seminar at the University of Florida supported by ISLAA through our Artist Seminar Initiative, an education and curatorial program that fosters intimate exchanges between students and living Latin American and Latinx artists.

Explore intimate portraits of contemporary artists

The grantees will be chosen by a selection committee to further the study of Latin American, Caribbean, and Latinx art and visual culture.

The first of three exhibitions developed from a graduate seminar at the University of Florida in the spring of 2023 supported by ISLAA through our Artist Seminar Initiative.

Celebrating the release of Andrea Giunta’s bookThe Political Body: Stories on Art, Feminism, and Emancipation in Latin America, this event features a conversation with artists featured in the publication, including Mónica Mayer and Rosana Paulino, moderated by author Andrea Giunta.

ISLAA is delighted to congratulate the University of Florida on its exhibition and related public programming, Painting Situations: Sigfredo Chacón and Liliana Porter. These projects developed from a graduate seminar at the University of Florida supported by ISLAA through our Artist Seminar Initiative, an education and curatorial program that fosters intimate exchanges between students and living Latin American and Latinx artists.

The grantees will be chosen by a selection committee to further the study of Latin American, Caribbean, and Latinx art and visual culture.

The first of three exhibitions developed from a graduate seminar at the University of Florida in the spring of 2023 supported by ISLAA through our Artist Seminar Initiative.

South and About! is a student-organized research workshop on the arts from Latin America and the Caribbean, supported by ISLAA.

Celebrating the release of Mariola V. Alvarez’s The Affinity of Neoconcretism: Interdisciplinary Collaborations in Brazilian Modernism, 1954–1964 (March 2023) and Adele Nelson’s Forming Abstraction: Art and Institutions in Postwar Brazil (February 2022), this event features introductions by Studies on Latin American Art series editor Alexander Alberro followed by a conversation with the authors, moderated by Roberto Conduru.

Celebrate the release of Sean Nesselrode Moncada’s book Refined Material: Petroculture and Modernity in Venezuela (August 2023).

Vital and Veiled: Valerie Brathwaite and José Gabriel Fernández, curated by Kaira M. Cabañas and Jesús Fuenmayor, is the second exhibition in the ISLAA Artist Seminar Initiative at the University of Florida.

Examine the intertwined histories of art, labor, and resource extraction in​ Latin America​.

This exhibition seeks to inspire environmental consciousness by offering alternatives to the colonial ways of understanding nature.

Join us to celebrate the opening of our new space at 142 Franklin Street.

Join us for a tour of the exhibition Revisiting The Potosí Principle Archive: Histories of Art and Extraction.

ISLAA is delighted to congratulate the University of Florida on its exhibition and related public programming, Painting Situations: Sigfredo Chacón and Liliana Porter. These projects developed from a graduate seminar at the University of Florida supported by ISLAA through our Artist Seminar Initiative, an education and curatorial program that fosters intimate exchanges between students and living Latin American and Latinx artists.

The first of three exhibitions developed from a graduate seminar at the University of Florida in the spring of 2023 supported by ISLAA through our Artist Seminar Initiative.

Vital and Veiled: Valerie Brathwaite and José Gabriel Fernández, curated by Kaira M. Cabañas and Jesús Fuenmayor, is the second exhibition in the ISLAA Artist Seminar Initiative at the University of Florida.

Examine the intertwined histories of art, labor, and resource extraction in​ Latin America​.

This exhibition seeks to inspire environmental consciousness by offering alternatives to the colonial ways of understanding nature.

Celebrate the release of Edgardo Giménez: One of a Kind with a presentation by Christina L. De León and Secret Riso Club.

South and About! is a student-organized research workshop on arts from Latin America and the Caribbean, supported by ISLAA.

Open call for submissions for the next South and About! graduate research workshop.

Call for Papers DEADLINE EXTENDED: January 7, 2024

Join us for the launch of Erika Verzutti: New Moons, featuring a reading by Verzutti and presentations by editor Lauren Cornell and contributors Ruba Katrib and Bernardo Mosqueira.

ISLAA is delighted to congratulate the University of Florida on its exhibition and related public programming, Painting Situations: Sigfredo Chacón and Liliana Porter. These projects developed from a graduate seminar at the University of Florida supported by ISLAA through our Artist Seminar Initiative, an education and curatorial program that fosters intimate exchanges between students and living Latin American and Latinx artists.

Vital and Veiled: Valerie Brathwaite and José Gabriel Fernández, curated by Kaira M. Cabañas and Jesús Fuenmayor, is the second exhibition in the ISLAA Artist Seminar Initiative at the University of Florida.

Examine the intertwined histories of art, labor, and resource extraction in​ Latin America​.

This exhibition seeks to inspire environmental consciousness by offering alternatives to the colonial ways of understanding nature.

Call for Papers DEADLINE EXTENDED: January 7, 2024

Dueñas de la noche presents the 1982 documentary TRANS for the first time in the United States.

ISLAA is pleased to announce our participation in this year’s Press Play fair.

Call for Proposals DEADLINE EXTENDED: January 21, 2024

Grantees Announced! The grantees were chosen by a selection committee to further the study of Latin American, Caribbean, and Latinx art and visual culture.

Vital and Veiled: Valerie Brathwaite and José Gabriel Fernández, curated by Kaira M. Cabañas and Jesús Fuenmayor, is the second exhibition in the ISLAA Artist Seminar Initiative at the University of Florida.

Examine the intertwined histories of art, labor, and resource extraction in​ Latin America​.

This exhibition seeks to inspire environmental consciousness by offering alternatives to the colonial ways of understanding nature.

Call for Papers DEADLINE EXTENDED: January 7, 2024

Call for Proposals DEADLINE EXTENDED: January 21, 2024