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Artist and writer manuel arturo abreu remembers the legacy of late Mexican artist Lourdes Grobet through the artist’s early landscape interventions and her iconic, long-running photographic series documenting the world of lucha libre wrestlers.

Riffing on the dual definitions of the Spanish word "rayar"—which means both "to draw" and "to scratch"—curator and writer Angelique Rosales Salgado excavates the archival and networked practice of Mexican artist Mónica Mayer, who has used her work to create lines of communication and to uncover quotidian oppressions.

Claudia Grego March analyzes Argentine artists' strategic transformation of European Informalism by focusing on the writings of art critics Rafael Squirru and Jorge Romero Brest.