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A selection of recent essays and videos commissioned by the Institute for Studies on Latin American Art (ISLAA).

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Year

53 Results

Writer in Residence

Transparency and Feminist Revision in Anna Bella Geiger’s Artist’s Books

Maggie Borowitz • Apr 10, 2025

Writer in Residence

A Creative Form of Expansion: Non-Objectualism and Anna Bella Geiger’s Artist’s Notebooks (1974–77)

Jorge Lopera • Apr 10, 2025

From the Desk of. . .

Two Women at the Japan Video Art Festival at CAYC, 1978

aliwen • Dec 12, 2024

Re: Collection

A Universal Language and an Unrealized European Tour: Grupo de Artistas Modernos de la Argentina

Laura Bohnenblust • Dec 5, 2024

From the Desk of. . .

Toward a Poetics of Multiplicity: On Juan Carlos Romero’s Experiments in Repetition

Mariana Fernández • May 1, 2024

Re: Collection

A Dance of Bodies and Machines: Leopoldo Maler’s Crane Ballet

Agustín Díez Fischer • Mar 27, 2024

Writer in Residence

An “Intermedia Revolution”: Audiovisual Experimentation at the Centro de Arte y Comunicación

Benjamin Murphy • Mar 26, 2024

From the Desk of. . .

Time in Motion: An Approach to Gustavo Bruzzone’s More Than Four Hundred Hours of Filming Toward the End of the Century

Agustina Battezzati • Feb 28, 2024

Writer in Residence

El Dibujazo: Drawing as Resistance in 1970s Uruguay

Irene García • Feb 28, 2024

Re: Collection

In Plane Sight

Amanda Schmitt • Feb 21, 2024

Writer in Residence

“El Dibujazo”: Approaching an Atmosphere

Patricia Roig Canepa • Feb 14, 2024

Writer in Residence

Desire, Deferral, and the Failings of Filmic Representation—"Trans" (1982)

Joseph Shaikewitz • Dec 14, 2023

Writer in Residence

"Trans" (1982): Queering the Temporality of the Archive

Irene Rihuete-Varea • Dec 14, 2023

Writer in Residence

“Our School”: Testimonies from the Kasak-Madí Archive

Francesca Ferrari • Nov 20, 2023

Re: Collection

Do Whatever You Want: Edgardo Giménez in Dialogue with Gonzalo Guerrero

Gonzalo Guerrero • Oct 24, 2023

Writer in Residence

Artes Visuales: A Latin American Debate

Abel González Fernández • Oct 11, 2023

Re: Collection

Living Cultural Landscapes

manuel arturo abreu • Sep 18, 2023

270 Film Series

270.14—Ana Tiscornia: Cartografía del olvido

Julio Grinblatt • Sep 15, 2023

270 Film Series

270.13—Muriel Hasbun: to tell your story in pieces, as it is

Erina Duganne • Sep 14, 2023

270 Film Series

270.12—Luis Camnitzer: Arte, estado y no he estado

Albertina Carri • Sep 13, 2023

270 Film Series

270.11—Rolando Peña: Sembrando el Petróleo

K.ari.n Schneider • Sep 12, 2023

270 Film Series

270.10—Naomi Rincón Gallardo: Coyolxauhqui Imperative

Magali Lara • Sep 11, 2023

270 Film Series

270.09—Mondongo: No me arrepiento de este amor

Guillermo Iuso • Sep 10, 2023

270 Film Series

270.08—Marcelo Pombo: El silencio no existe

Alberto Goldenstein • Sep 9, 2023

270 Film Series

270.07—Clemente Padín

Alejandro Cesarco • Sep 8, 2023

270 Film Series

270.06—Ernesto Vila

Alejandro Cesarco • Sep 7, 2023

270 Film Series

270.05—Eduardo Costa: Soy un cura del pueblo

Claudia del Río • Sep 6, 2023

270 Film Series

270.04— Marcia Schvartz: Ojo

Ana López • Sep 5, 2023

270 Film Series

270.03—Mónica Mayer: Doña Lilia

Magali Lara • Sep 4, 2023

270 Film Series

270.02—Nicolás Guagnini: Self-Portrait with Cucumber / Autorretrato con pepino

Julio Grinblatt • Sep 3, 2023

270 Film Series

270.01—Liliana Porter and Man with Axe: Fragments of a Conversation with Julio Grinblatt

Julio Grinblatt • Sep 2, 2023

Re: Collection

Rayando el Archivo: Mónica Mayer’s "El Tendedero"

Angelique Rosales Salgado • Aug 21, 2023

Writer in Residence

Cal: An Analysis of the Journal’s Plastic Arts Section

Paola Peña Ospina • Jul 20, 2023

Re: Collection

Notes on Latin American Graphic Design, Artes Gráficas, Typography, and Printed Matter from the ISLAA Library and Archives

Ramon Tejada • Jun 20, 2023

From the Desk of. . .

Informalism’s Last Curveball: Informal Painting and Its Exegesis between Argentina and Europe

Claudia Grego March • May 21, 2023

Re: Collection

Same Sea (Rose Horse)

Lara Mimosa Montes • Apr 24, 2023

From the Desk of. . .

People Are the Only Thing that Matters: Alberto Greco and the Traveling Cultural Exhibitions

Mónica Freyre • Mar 13, 2023

Re: Collection

Between the Earth and the Divine

Anna Burckhardt Pérez • Feb 13, 2023

From the Desk of. . .

Pedro Figari: Art Industrial Education in Uruguay (1900–20)

Gabriel Peluffo Linari • Jan 16, 2023

Re: Collection

Load-Bearing Subjects: On Grupo Escombros’s "Teoría del arte"

Alan Ruiz • Oct 10, 2022

Re: Collection

A short conversation about André Cadere

David Lamelas • Oct 3, 2022

Re: Collection

Conversations with Magali Lara’s Interiors

Elisa Wouk Almino • Sep 27, 2022

Writer in Residence

From East 78th Street to Segovia: A Morning with César Paternosto, August 2021

Rebecca Yuste-Golob • Sep 23, 2022

Re: Collection

Reading the Register

Lizania Cruz • Sep 15, 2022

From the Desk of. . .

María Freire: Her Work in the Context of Abstract-Geometric Art from Río de la Plata and Brazil with European References (1950–1980)

Gabriel Peluffo Linari • Jul 22, 2022

Re: Collection

This Is Not a Map: Extraction and Supplement in Sol LeWitt and Claudio Perna

Luis Pérez-Oramas • Jan 15, 2022

Re: Collection

The Contemplation of Writing

Cecilia Pavón • Jan 4, 2022

Writer in Residence

Matters of Process and Techniques of Control: The Luis Fernando Benedit Papers, 1960–1978

Christopher Williams-Wynn • Jan 3, 2022

The Institute for Studies on Latin American Art (ISLAA) supports the study and visibility of Latin American art.

Tue–Sat: 12–6 PM Sun–Mon: Closed

The Institute for Studies on Latin American Art (ISLAA) supports the study and visibility of Latin American art.

Tue–Sat: 12–6 PM Sun–Mon: Closed

Transparency and Feminist Revision in Anna Bella Geiger’s Artist’s Books

A Creative Form of Expansion: Non-Objectualism and Anna Bella Geiger’s Artist’s Notebooks (1974–77)

Two Women at the Japan Video Art Festival at CAYC, 1978

A Universal Language and an Unrealized European Tour: Grupo de Artistas Modernos de la Argentina

Neofiguración and Dibujazo: Uruguayan Painting and Graphic Arts, 1960–80

Desire, Mystery, Devotion: On Mariette Lydis’s Trajectory

Montevideo’s Grupo 8 (1959–62): The Ephemeral Avant-Garde

Informalist Painting in Uruguay: Its Origins and Processes (1957–65)

"Garments", "Knots" and "High Tide": Three Poems in Response to Jorge Eielson

Toward a Poetics of Multiplicity: On Juan Carlos Romero’s Experiments in Repetition

A Dance of Bodies and Machines: Leopoldo Maler’s Crane Ballet

An “Intermedia Revolution”: Audiovisual Experimentation at the Centro de Arte y Comunicación

Time in Motion: An Approach to Gustavo Bruzzone’s More Than Four Hundred Hours of Filming Toward the End of the Century

El Dibujazo: Drawing as Resistance in 1970s Uruguay

In Plane Sight

“El Dibujazo”: Approaching an Atmosphere

Desire, Deferral, and the Failings of Filmic Representation—"Trans" (1982)

"Trans" (1982): Queering the Temporality of the Archive

“Our School”: Testimonies from the Kasak-Madí Archive

Do Whatever You Want: Edgardo Giménez in Dialogue with Gonzalo Guerrero

Artes Visuales: A Latin American Debate

Living Cultural Landscapes

270.14—Ana Tiscornia: Cartografía del olvido

270.13—Muriel Hasbun: to tell your story in pieces, as it is

270.12—Luis Camnitzer: Arte, estado y no he estado

270.11—Rolando Peña: Sembrando el Petróleo

270.10—Naomi Rincón Gallardo: Coyolxauhqui Imperative

270.09—Mondongo: No me arrepiento de este amor

270.08—Marcelo Pombo: El silencio no existe

270.07—Clemente Padín

270.06—Ernesto Vila

270.05—Eduardo Costa: Soy un cura del pueblo

270.04— Marcia Schvartz: Ojo

270.03—Mónica Mayer: Doña Lilia

270.02—Nicolás Guagnini: Self-Portrait with Cucumber / Autorretrato con pepino

270.01—Liliana Porter and Man with Axe: Fragments of a Conversation with Julio Grinblatt

Rayando el Archivo: Mónica Mayer’s "El Tendedero"

Cal: An Analysis of the Journal’s Plastic Arts Section

Notes on Latin American Graphic Design, Artes Gráficas, Typography, and Printed Matter from the ISLAA Library and Archives

Informalism’s Last Curveball: Informal Painting and Its Exegesis between Argentina and Europe

Same Sea (Rose Horse)

People Are the Only Thing that Matters: Alberto Greco and the Traveling Cultural Exhibitions

Between the Earth and the Divine

Pedro Figari: Art Industrial Education in Uruguay (1900–20)

Load-Bearing Subjects: On Grupo Escombros’s "Teoría del arte"

A short conversation about André Cadere

Conversations with Magali Lara’s Interiors

From East 78th Street to Segovia: A Morning with César Paternosto, August 2021

Reading the Register

María Freire: Her Work in the Context of Abstract-Geometric Art from Río de la Plata and Brazil with European References (1950–1980)

This Is Not a Map: Extraction and Supplement in Sol LeWitt and Claudio Perna

The Contemplation of Writing

Matters of Process and Techniques of Control: The Luis Fernando Benedit Papers, 1960–1978