Emilia Casiva examines the "gestures" or "traits" in CAYC films, uncovering their spectral imagery and proposing a method to engage with them through the fragmented lens of the archive as a constructed entity.

Mara Polgovsky Ezcurra analyzes Margarita Paksa's performative video and poem Tiempo de descuento-cuenta regresiva-la hora cero, commissioned by CAYC in 1978. Polgovsky Ezcurra situates this work within CAYC’s broader video production, reflecting in particular on the place of women artists within the institution.

Renato Bermúdez Dini discusses the CAYC films through the lens of its audiovisual assemblages, referring not only to CAYC’s own production but also to its promotion of other artists, including the events it organized, its marketing and editorial strategies, and its public relations efforts, as well as its material conditions and its discursive framework.

ISLAA Writer in Residence Maggie Borowitz analyzes how Anna Bella Geiger's use of transparency in her artist books reveals an early engagement with feminism in contemporary Brazilian art.

ISLAA Writer in Residence Jorge Lopera discusses Anna Bella Geiger's notebooks as forms of creative expansion characteristic of non-objectualisms in Latin America.

The Luis Fernando Benedit Archive represents the artist’s activities across a range of media, from figurative painting to habitats for live animals. His notebooks, plans, and sketches also show an abiding concern with problems of process and transformation. When viewed in conjunction, these documents and works provide an opportunity to reexamine some of his contributions to debates concerning the relations between culture, nature, and technology.

Art historian Laura Bohnenblust excavates correspondence and ephemera to reconstruct a forgotten historical moment in which the Grupo de Artistas Modernos de la Argentina made their European debut.

Georgina Gluzman reviews the career of Mariette Lydis while reflecting on the artist's role as the narrator of her own trajectory.

Agustina Battezzati analyzes Argentine art collector Gustavo Bruzzone's filming of the Argentine art scene in the late 1990s. A digital copy of this footage is held at the ISLAA Library and Archives.

ISLAA Writer in Residence Joseph Shaikewitz examines the paradoxes concerning perception and representation, subjectivity and objectification, at play in the 1982 Venezuelan documentary film Trans.

Art historian Agustín Díez Fischer examines bodily extension and mediated reconstruction in a choreographic work by Argentine conceptual artist Leopoldo Maler.

2022–23 Graphic Designer in Residence Ramon Tejada muses on the multiplicity of perspectives on Latin American graphic design represented within the ISLAA Library and Archives.