ISLAA will be closed to the public on Tuesday, October 15.
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ISLAA will be closed to the public on Tuesday, October 15.
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On Now:
Dec 14, 2023
12.14.23
"Trans" (1982): Queering the Temporality of the Archive
Irene Rihuete-Varea
Reading the Register
El Dibujazo: Drawing as Resistance in 1970s Uruguay
Artes Visuales: A Latin American Debate
“Our School”: Testimonies from the Kasak-Madí Archive
Reading the Register
Re: Collection
El Dibujazo: Drawing as Resistance in 1970s Uruguay
Writer in Residence
Artes Visuales: A Latin American Debate
Writer in Residence
“Our School”: Testimonies from the Kasak-Madí Archive
Writer in Residence
On Now:
Dec 14, 2023
12.14.23
"Trans" (1982): Queering the Temporality of the Archive
Irene Rihuete-Varea
Writer in Residence
Matters of Process and Techniques of Control: The Luis Fernando Benedit Papers, 1960–1978
Christopher Williams-Wynn
•
Jan 3, 2022
Writer in Residence
In Plane Sight
Amanda Schmitt
•
Feb 21, 2024
Re: Collection
Desire, Deferral, and the Failings of Filmic Representation—"Trans" (1982)
Joseph Shaikewitz
•
Dec 14, 2023
Writer in Residence
Matters of Process and Techniques of Control: The Luis Fernando Benedit Papers, 1960–1978
Christopher Williams-Wynn
•
Jan 3, 2022
Writer in Residence
In Plane Sight
Amanda Schmitt
•
Feb 21, 2024
Re: Collection
Desire, Deferral, and the Failings of Filmic Representation—"Trans" (1982)
Joseph Shaikewitz
•
Dec 14, 2023
Writer in Residence
In Focus: 270 Series
270.12—Luis Camnitzer: Arte, estado y no he estado
270 Film Series
270.01—Liliana Porter and Man with Axe: Fragments of a Conversation with Julio Grinblatt
270 Film Series
270.04— Marcia Schvartz: Ojo
270 Film Series
270.11—Rolando Peña: Sembrando el Petróleo
270 Film Series
In Focus: 270 Series
270.12—Luis Camnitzer: Arte, estado y no he estado
270.01—Liliana Porter and Man with Axe: Fragments of a Conversation with Julio Grinblatt
270.04— Marcia Schvartz: Ojo
270.11—Rolando Peña: Sembrando el Petróleo
ARCHIVED
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"Garments", "Knots" and "High Tide": Three Poems in Response to Jorge Eielson
Re: Collection
Toward a Poetics of Multiplicity: On Juan Carlos Romero’s Experiments in Repetition
Re: Collection
A Dance of Bodies and Machines: Leopoldo Maler’s Crane Ballet
Re: Collection
An “Intermedia Revolution”: Audiovisual Experimentation at the Centro de Arte y Comunicación
Writer in Residence
El Dibujazo: Drawing as Resistance in 1970s Uruguay
Writer in Residence
In Plane Sight
Re: Collection
“El Dibujazo”: Approaching an Atmosphere
Writer in Residence
"Trans" (1982): Queering the Temporality of the Archive
Writer in Residence
Desire, Deferral, and the Failings of Filmic Representation—"Trans" (1982)
Writer in Residence
“Our School”: Testimonies from the Kasak-Madí Archive
Writer in Residence
Do Whatever You Want: Edgardo Giménez in Dialogue with Gonzalo Guerrero
Re: Collection
Artes Visuales: A Latin American Debate
Writer in Residence
Living Cultural Landscapes
Re: Collection
Rayando el Archivo: Mónica Mayer’s "El Tendedero"
Re: Collection
Cal: An Analysis of the Journal’s Plastic Arts Section
Writer in Residence
Notes on Latin American Graphic Design, Artes Gráficas, Typography, and Printed Matter from the ISLAA Library and Archives
Re: Collection
Informalism’s Last Curveball: Informal Painting and Its Exegesis between Argentina and Europe
From the Desk of. . .
Same Sea (Rose Horse)
Re: Collection
People Are the Only Thing that Matters: Alberto Greco and the Traveling Cultural Exhibitions
From the Desk of. . .
Between the Earth and the Divine
Re: Collection
Pedro Figari: Art Industrial Education in Uruguay (1900–20)
From the Desk of. . .
Load-Bearing Subjects: On Grupo Escombros’s "Teoría del arte"
Re: Collection
A short conversation about André Cadere
Re: Collection
Conversations with Magali Lara’s Interiors
Re: Collection
From East 78th Street to Segovia: A Morning with César Paternosto, August 2021
Writer in Residence
Reading the Register
Re: Collection
María Freire: Her Work in the Context of Abstract-Geometric Art from Río de la Plata and Brazil with European References (1950–1980)
From the Desk of. . .
This Is Not a Map: Extraction and Supplement in Sol LeWitt and Claudio Perna
Re: Collection
The Contemplation of Writing
Re: Collection
Matters of Process and Techniques of Control: The Luis Fernando Benedit Papers, 1960–1978
Writer in Residence
The Institute for Studies on Latin American Art (ISLAA) supports the study and visibility of Latin American art.
142 Franklin Street New York, NY 10013
Tue–Sat: 12–6 PM Sun–Mon: Closed
142 Franklin Street New York, NY 10013
Copyright © 2023 Institute for Studies on Latin American Art
The Institute for Studies on Latin American Art (ISLAA) supports the study and visibility of Latin American art.
Tue–Sat: 12–6 PM Sun–Mon: Closed
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Copyright © 2023 Institute for Studies on Latin American Art