ARCHIVED

Writer in Residence

“Our School”: Testimonies from the Kasak-Madí Archive

Re: Collection

Do Whatever You Want: Edgardo Giménez in Dialogue with Gonzalo Guerrero

Writer in Residence

Artes Visuales: A Latin American Debate

Re: Collection

Living Cultural Landscapes

Re: Collection

Rayando el Archivo: Mónica Mayer’s "El Tendedero"

Writer in Residence

Cal: An Analysis of the Journal’s Plastic Arts Section

Re: Collection

Notes on Latin American Graphic Design, Artes Gráficas, Typography, and Printed Matter from the ISLAA Library and Archives

From the Desk of. . .

Informalism’s Last Curveball: Informal Painting and Its Exegesis between Argentina and Europe

Re: Collection

Same Sea (Rose Horse)

From the Desk of. . .

People Are the Only Thing that Matters: Alberto Greco and the Traveling Cultural Exhibitions

Re: Collection

Between the Earth and the Divine

From the Desk of. . .

Pedro Figari: Art Industrial Education in Uruguay (1900–20)

Re: Collection

Load-Bearing Subjects: On Grupo Escombros’s "Teoría del arte"

Re: Collection

A short conversation about André Cadere

Re: Collection

Conversations with Magali Lara’s Interiors

Writer in Residence

From East 78th Street to Segovia: A Morning with César Paternosto, August 2021

Re: Collection

Reading the Register

From the Desk of. . .

María Freire: Her Work in the Context of Abstract-Geometric Art from Río de la Plata and Brazil with European References (1950–1980)

Re: Collection

This Is Not a Map. Extraction and Supplement in Sol LeWitt and Claudio Perna

Re: Collection

The Contemplation of Writing

Writer in Residence

Matters of Process and Techniques of Control: The Luis Fernando Benedit Papers, 1960–1978

The Institute for Studies on Latin American Art (ISLAA) supports the study and visibility of Latin American art.
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The Institute for Studies on Latin American Art (ISLAA) supports the study and visibility of Latin American art.

Tue–Sat: 12–6 PM Sun–Mon: Closed
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