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On Now:
Nov 20, 2023
On Now:
11.20.23
“Our School”: Testimonies from the Kasak-Madí Archive
Francesca Ferrari
Rayando el Archivo: Mónica Mayer’s "El Tendedero"
Cal: An Analysis of the Journal’s Plastic Arts Section
Do Whatever You Want: Edgardo Giménez in Dialogue with Gonzalo Guerrero
Living Cultural Landscapes
Re: Collection
Rayando el Archivo: Mónica Mayer’s "El Tendedero"
Writer in Residence
Cal: An Analysis of the Journal’s Plastic Arts Section
Re: Collection
Do Whatever You Want: Edgardo Giménez in Dialogue with Gonzalo Guerrero
Re: Collection
Living Cultural Landscapes
Writer in Residence
On Now:
Nov 20, 2023
On Now:
11.20.23
“Our School”: Testimonies from the Kasak-Madí Archive
Francesca Ferrari
Artes Visuales: A Latin American Debate
Abel González Fernández
•
Oct 11, 2023
Writer in Residence
Reading the Register
Lizania Cruz
•
Sep 15, 2022
Re: Collection
This Is Not a Map. Extraction and Supplement in Sol LeWitt and Claudio Perna
Luis Pérez-Oramas
•
Jan 15, 2022
Re: Collection
Artes Visuales: A Latin American Debate
Abel González Fernández
•
Oct 11, 2023
Writer in Residence
Reading the Register
Lizania Cruz
•
Sep 15, 2022
Re: Collection
This Is Not a Map. Extraction and Supplement in Sol LeWitt and Claudio Perna
Luis Pérez-Oramas
•
Jan 15, 2022
Re: Collection
ARCHIVED
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Writer in Residence
“Our School”: Testimonies from the Kasak-Madí Archive
Re: Collection
Do Whatever You Want: Edgardo Giménez in Dialogue with Gonzalo Guerrero
Writer in Residence
Artes Visuales: A Latin American Debate
Re: Collection
Living Cultural Landscapes
Re: Collection
Rayando el Archivo: Mónica Mayer’s "El Tendedero"
Writer in Residence
Cal: An Analysis of the Journal’s Plastic Arts Section
Re: Collection
Notes on Latin American Graphic Design, Artes Gráficas, Typography, and Printed Matter from the ISLAA Library and Archives
From the Desk of. . .
Informalism’s Last Curveball: Informal Painting and Its Exegesis between Argentina and Europe
Re: Collection
Same Sea (Rose Horse)
From the Desk of. . .
People Are the Only Thing that Matters: Alberto Greco and the Traveling Cultural Exhibitions
Re: Collection
Between the Earth and the Divine
From the Desk of. . .
Pedro Figari: Art Industrial Education in Uruguay (1900–20)
Re: Collection
Load-Bearing Subjects: On Grupo Escombros’s "Teoría del arte"
Re: Collection
A short conversation about André Cadere
Re: Collection
Conversations with Magali Lara’s Interiors
Writer in Residence
From East 78th Street to Segovia: A Morning with César Paternosto, August 2021
Re: Collection
Reading the Register
From the Desk of. . .
María Freire: Her Work in the Context of Abstract-Geometric Art from Río de la Plata and Brazil with European References (1950–1980)
Re: Collection
This Is Not a Map. Extraction and Supplement in Sol LeWitt and Claudio Perna
Re: Collection
The Contemplation of Writing
Writer in Residence
Matters of Process and Techniques of Control: The Luis Fernando Benedit Papers, 1960–1978
The Institute for Studies on Latin American Art (ISLAA) supports the study and visibility of Latin American art.
142 Franklin Street New York, NY 10013
Tue–Sat: 12–6 PM Sun–Mon: Closed
142 Franklin Street New York, NY 10013
Copyright © 2023 Institute for Studies on Latin American Art
The Institute for Studies on Latin American Art (ISLAA) supports the study and visibility of Latin American art.
Tue–Sat: 12–6 PM Sun–Mon: Closed
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Copyright © 2023 Institute for Studies on Latin American Art