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270.07—Clemente Padín
El Dibujazo: Drawing as Resistance in 1970s Uruguay
270.14—Ana Tiscornia: Cartografía del olvido
“Our School”: Testimonies from the Kasak-Madí Archive

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"Garments", "Knots" and "High Tide": Three Poems in Response to Jorge Eielson

Toward a Poetics of Multiplicity: On Juan Carlos Romero’s Experiments in Repetition

A Dance of Bodies and Machines: Leopoldo Maler’s Crane Ballet

An “Intermedia Revolution”: Audiovisual Experimentation at the Centro de Arte y Comunicación

El Dibujazo: Drawing as Resistance in 1970s Uruguay

In Plane Sight

“El Dibujazo”: Approaching an Atmosphere

"Trans" (1982): Queering the Temporality of the Archive

Desire, Deferral, and the Failings of Filmic Representation—"Trans" (1982)

“Our School”: Testimonies from the Kasak-Madí Archive

Do Whatever You Want: Edgardo Giménez in Dialogue with Gonzalo Guerrero

Artes Visuales: A Latin American Debate

Living Cultural Landscapes

Rayando el Archivo: Mónica Mayer’s "El Tendedero"

Cal: An Analysis of the Journal’s Plastic Arts Section

Notes on Latin American Graphic Design, Artes Gráficas, Typography, and Printed Matter from the ISLAA Library and Archives

Informalism’s Last Curveball: Informal Painting and Its Exegesis between Argentina and Europe

Same Sea (Rose Horse)

People Are the Only Thing that Matters: Alberto Greco and the Traveling Cultural Exhibitions

Between the Earth and the Divine

Pedro Figari: Art Industrial Education in Uruguay (1900–20)

Load-Bearing Subjects: On Grupo Escombros’s "Teoría del arte"

A short conversation about André Cadere

Conversations with Magali Lara’s Interiors

From East 78th Street to Segovia: A Morning with César Paternosto, August 2021

Reading the Register

María Freire: Her Work in the Context of Abstract-Geometric Art from Río de la Plata and Brazil with European References (1950–1980)

This Is Not a Map: Extraction and Supplement in Sol LeWitt and Claudio Perna

The Contemplation of Writing

Matters of Process and Techniques of Control: The Luis Fernando Benedit Papers, 1960–1978

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Copyright © 2023 Institute for Studies on Latin American Art
The Institute for Studies on Latin American Art (ISLAA) supports the study and visibility of Latin American art.

Tue–Sat: 12–6 PM Sun–Mon: Closed
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